Conclusions First
red lipstickmost stably generates vivid red lips. Changes from the natural pink-beige of the control to a clear red colormatte redanddark redproduce a more matte finish;dark redin particular leans toward a deep dark red to bordeaux toneglossy redadds a sheen (highlight) to the lip surface, resulting in glossy red lipsburgundyis a wine red to dark bordeaux tone, even darker thandark redoverlinedproduces side effects changing the overall atmosphere — hairstyle and hair color — rather than controlling lip colorombre lipresults in a pink gradient lip rather than red, with a side effect of the hair color shifting to pink tones
Experiment Design
| Item | Value |
|---|---|
| Model | z-image-turbo (6B, photorealistic distilled) |
| Steps | 8 |
| Sampler | euler |
| Scheduler | ddim_uniform |
| CFG | 1.0 |
| Size | 1024x1024 |
| Seeds | 3 fixed (common across all conditions) |
| Per condition | 3 images (3 seeds) |
| Total | 9 conditions = 27 images |
Base Prompt
close-up face portrait adopted to observe lip detail.
A00: control (no makeup specification)
| seed 1 | seed 2 | seed 3 |
|---|---|---|
![]() | ![]() | ![]() |
Observations: All 3 images have natural pink-beige to coral pink lips. Gloss is understated, with a semi-matte, natural texture. Eye makeup is also light, with an overall natural makeup finish.
A01: red lipstick
| seed 1 | seed 2 | seed 3 |
|---|---|---|
![]() | ![]() | ![]() |
Observations: All 3 images clearly changed from the control to vivid red lips. Texture is semi-matte to matte. Lip contours are crisp, with uniform, no-gap color. A side effect of the outfit shifting to dark/black tops was observed. Eye makeup is mostly unchanged from the control.
A02: matte red
| seed 1 | seed 2 | seed 3 |
|---|---|---|
![]() | ![]() | ![]() |
Observations: Vivid red color similar to red lipstick. The lip surface gloss is suppressed, confirming a matte texture. Compared to red lipstick, it appears to lean slightly deeper (toward deep red). The trend of outfit shifting to dark tones continues as with red lipstick.
A03: glossy red
| seed 1 | seed 2 | seed 3 |
|---|---|---|
![]() | ![]() | ![]() |
Observations: Lip color is vivid red with similar saturation to red lipstick. The biggest difference is the lip surface gloss — a clear highlight is present, resulting in a glossy, wet-looking finish. Seed 2 showed a side effect of a scarf-like cloth added to the head. Slight smoky effect is also added to the eye makeup.
A04: dark red
| seed 1 | seed 2 | seed 3 |
|---|---|---|
![]() | ![]() | ![]() |
Observations: Noticeably darker than red lipstick, with a deep dark red. Matte-leaning texture. Not quite burgundy level, but close to wine red. The trend of outfit shifting to dark tones continues. Overall gives a cool, chic makeup impression.
A05: bright red
| seed 1 | seed 2 | seed 3 |
|---|---|---|
![]() | ![]() | ![]() |
Observations: Compared to red lipstick, a slightly brighter and more vivid red. High saturation, giving an impression close to vermilion. Semi-matte texture. Seed 2 generated red clothing (a camisole), with bright red appearing to affect not just the lips but also the clothing color.
A06: burgundy
| seed 1 | seed 2 | seed 3 |
|---|---|---|
![]() | ![]() | ![]() |
Observations: The darkest lip color in this experiment. Wine red to dark bordeaux, even darker than dark red. Matte texture. Rather than red, it’s a deep dark red with a purple tint. Outfit is in dark tones overall, with an overall dark, moody atmosphere.
Note: The purple-tinted dark bordeaux of
burgundyalso suits combination with goth makeup’sdark lips.
A07: overlined
| seed 1 | seed 2 | seed 3 |
|---|---|---|
![]() | ![]() | ![]() |
Observations: The lip color itself is reddish, but an overlining effect (the technique of applying color beyond the lip contour) compared to red lipstick is not clearly confirmed. Rather, there are side effects including a hairstyle change to short hair, with the overall atmosphere changing significantly. Lip color tone and texture are close to red lipstick’s semi-matte red. The effect of lips appearing particularly large is limited.
A08: ombre lip
| seed 1 | seed 2 | seed 3 |
|---|---|---|
![]() | ![]() | ![]() |
Observations: Changed not to red but to coral pink to rose pink, a soft color tone. The gradient (ombre) effect with different shades at the center and outside of the lips can be faintly confirmed. The biggest side effect is the hair color shifting to pink gradient (pink tips). The keyword ombre strongly affected not just the lips but also the hair gradient.
Summary
| Condition | Lip color | Texture | Side effects |
|---|---|---|---|
| control | Pink beige | Semi-matte | None |
| red lipstick | Vivid red | Semi-matte to matte | Outfit shifts to dark |
| matte red | Deep red | Matte | Outfit shifts to dark |
| glossy red | Vivid red | Glossy (shiny) | Scarves and accessories added |
| dark red | Dark red | Matte | Outfit shifts to dark |
| bright red | Bright vermilion | Semi-matte | Outfit also becomes red |
| burgundy | Dark bordeaux | Matte | Everything goes dark |
| overlined | Red (close to red lipstick) | Semi-matte | Hairstyle changes |
| ombre lip | Coral pink | Semi-matte | Hair becomes pink gradient |
For stable red lips, red lipstick is the simplest and most effective. To control texture, use matte red (matte) or glossy red (glossy). Color depth darkens in the order: bright red > red lipstick > dark red > burgundy.
overlined and ombre lip have significant side effects as lip-specific keywords and are difficult to achieve the intended effect.
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